a5c7b9f00b A woman fights to protect her family during a home invasion. I fell asleep from the cliche story. It honestly was bad from the start. Bad acting, bad dialogue, and bad story. This also felt ectremext lazy. There was a few shots that I could tell were used twice. How lazy could they be to not shoot another shot. And there's a scene where she is literally chased out barefoot but walks sneaks into the house wearing socks and boots where did she get those. The ending felt forced and every character acted so dumn and would chmagc personality to fit the plot. Exposition was given so lazy and it honestly was a waste of money. I wanted to really love this movie - it had a good cast and an enticing trailer - but then I started watching and plot holes galore just ruined it. For starts, who stores millions of dollars in their home? Keep in mind, if there were ever a house fire, burglary, etc. this is money that's uninsured. Let's forget about that though and fast forward to the next big plot hole: the lady that tries to call 911 on the way to her Mercedes. So the call goes thru and you hear the operator and then she gets knocked out and her throat is slit. In 2018, the next thing that would happen is there would be an attempt to call her back because it would considered a 911 hangup call and then police would be dispatched when that failed - never happens. Then theres the truck scene fiasco – the truck stalls of course (do modern vehicles even stall anymore?), then there's the part where they back the truck over one of the burglars and drive forward over him…in a truck..ran over twice…and he still survives. And then they drive the truck into a tree and this is while she's looking forward and driving…into the tree…that's been on her property for how long? Then it gets worse when the husband shows up. He sees a Mercedes door open, purse on the ground and more blood than the OJ Simpson crime scene and he continues to walk towards the house screaming versus going back to his car a few feet back and driving off and calling 911 like a sane, rational person would do. Mind you, as he keeps walking he sees body after body after body and somehow he still feels this is the best time to puff out your chest and beat on it while simultaneously assuming that what looks like a serial murder took place would kill all but spare his family. All in all had potential but lazy. cliche writing killed it. The screenplay by Ryan Engle (“Rampage,” “The Commuter”) squanders its potential for emotional depth, making Breaking In a serviceable, but indistinct product.
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338 weeks ago